Buddy is best remembered for his original songs, and he wrote or co-wrote most of them himself. His first single was under his new contract with Decca (1956) is “Love Me” that he co-wrote with Sue Parish from Lubbock, Texas. It was the A side of the first of two records released by Decca after those initial sessions in Nashville. On the B side was “Blue Days – Black Nights” written by Ben Hall, also from Lubbock. The other record had “Modern Don Juan” on the A side that was written by a longtime friend of Buddy and his family, Don Guess. Don’s (The Guest) Sisters recorded with Norman Petty in Clovis in the 1940’s and this provides the link to Buddy working with Petty after he left Decca. The B side was “That’s My One Desire” that was also written by Don Guess.
As we known there was a disconnect with Decca right from the beginning, they wanted a Country Singer, and Buddy wanted to do Rock and Roll. For his first recordings in Nashville, he had taken Sonny Curtis to play lead guitar, and Don Guess to play the bass. He left his friend and drummer Jerry Allison in Lubbock and Nikki Sullivan stayed in school. At that time in Nashville, Country & Western Music very rarely used drums and they did not really even know how to record them. They were banned from The Grand Ole Opry stage for many years. In the 1950’s much of the Country Music world worried that with drums it would start to sound like Rock and Roll. So Buddy could not get the sound he wanted and Decca put no effort in promoting him.
I know I posted this song recently but it was not until he worked with Norman Petty that the real Buddy Holly was heard. On “That’ll Be The Day” it was just Buddy with his jangly lead guitar, Jerry Allison on drums and from the first recording, replacing Joe Mauldin on bass it was Larry Welborn (who had also played on past Holly recordings). Nikki Sullivan (one of Buddy’s bass players) provided background vocals only, along with June Clark, Gary Tollett and Ramona Tollett. The resulting and much better version was released on Brunswick in May of 1957. This became his breakout single. It reached #1 on Billboard (this was pre-Hot 100), it went to #2 on the R&B Chart and was #1 in the UK. It was his only #1 in the US.
As I have mentioned, there are movie portrayals and many have seen some of the great theatrical performances, also the books and other tributes to Buddy Holly. There was a Tribute album “Rave On” released in 2011 that was unfortunately a critical failure with some less than stellar efforts from some respected artists. There is one standout version from My Morning Jacket on “True Love Ways“. Then there is the namesake band called The Hollies. Elvis Costello’s look was not a mistake either. As I mentioned in Part 1 and many have said, the course of (what we think of as the original) Rock and Roll changed as a result of that plane crash. I believe it was a key part of the decline of the genre but there were many other events in and around the same time that had an impact. For more on that story you can read my post, When did Rock Drop the Roll. I think the biggest loss with Holly was the direction he was moving with his music.
Buddy never thought Rock and Roll would last much longer, at least not at its current pace of the late 1950’s so he turned his focus to other styles and types of music. The move to New York was due to his desire to focus more on writing and publishing. This led to a split with The Crickets who were for the record, drummer Jerry Allison, bassist Joe B. Mauldin, and rhythm guitarist Niki Sullivan. They would form the band that toured with Buddy in 1957. If you are following with the names I have mentioned on recordings, the three were rarely together in studio.
After the move, Buddy had a bit of a cash flow problem, for reasons I won’t go into now but this led to his decision to join the Winter Dance Party tour. He put together a new band with fellow Texan Waylon Jennings, a guy Buddy had been grooming for stage performances (lead Guitar) and another Texan Carl Bunch (drums) along with Tommy Allsup (Guitar) who had also been playing in Texas. There are many accounts surrounding the events of that fateful tour. I will try and present the rest of the story as I understand it and wrap up with Buddy Holly Part 3.
Thanks to the band Weezer and this retro themed song and video from 1994 it gave many younger listeners a look back in time and perhaps some discovered the amazing Buddy Holly collection. Not to mention Mary Tyler Moore! BTW and I am sure this is no coincidence on the part of Weezer, the theme song for The Mary Tyler Moore tv show was written and sung by Buddy’s friend Sonny Curtis.
I hope you continue to enjoy my blog and as always, thanks for reading!
References: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15,
3 thoughts on “Buddy Holly Part 2”
After that plane crash…yes the safe performers (Pat Boone, Fabian etc…) were in…do you think we are in a “safe” era now? Other than The Foo Fighters…what do we have now that is rock and roll and not heavy metal, boy bands, or diva pop in the mainstream?
Sorry I veered off topic. I was grateful that Weezer did that song just to bring recognition to Buddy…and yes MTM! I forgot that Sonny Curtis wrote her theme.
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No worries I always appreciate your feedback! I would say music since that time has evolved to the point of a thousand sub genre and seemly less definition. If that make any sense.
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Yes it does…everything and everyone is put in a box.
I don’t understand big labels reluctance to bankroll rock bands now. Some good ones are out there but you have to hunt for them…unlike Beyoncé or someone like her.
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