Murder She Writes-Gale Garnett

Gale Garnett

“Sing in the Sunshine” was written by Gale Garnett when she was around 20 years old, she wrote it for her then boyfriend, Hoyt Axton (who later wrote “Joy to the World“). To say she has led an interesting life is an understatement. Born July 17, 1942 in Auckland New Zealand, in 1953 at age 11 her family moved to Canada. Her parents died when she was young and left to her own resources, she pursued her already growing acting career.

She then fell into singing as a way to make money and soon became known on the burgeoning 60’s music club scenes in New York and San Francesco. Which is when she met Hoyt and wrote the song for him. It didn’t do well and the Record Company compelled her to record the song herself. There were slight alterations to change the gender references.

She has a beautiful voice and it became a huge hit reaching #2 in Canada and #4 on the Hot 100. It spent seven weeks at #1 on Billboards Easy Listening chart. She was nominated for three Grammy Awards in 1965 and won for Best Folk Recording. This category was for songs and or albums. You may be interested to learn the other nominees that she beat out; Woody Guthrie, Harry Belafonte, The New Christie Minstrels, Miriam Makeba and Bob Dylan for The Times They Are A Changin’.

She toured for a while and did the TV appearances etc. but her heart was not in singing and she went on to do more acting and at age 81 still has a successful writing career. Here is the link for Gale on Wikipedia. You will note her song is referred to as “We’ll Sing in the Sunshine”, the registered title for the original (1963) by Hoyt (and the one on the record shown above) does not include the “We’ll”. However the “We’ll was added for Gale’s release in March of 1964. This has been the title for the 45 cover versions by names such as Dean Martin, Sonny & Cher, Wayne Newton and Helen Reddy. By the end of the 1970’s the song seemed to go out of fashion and there are only two more covers after Dolly Parton in 1984.

Murder! She Writes!!!

or Songs Written by a Woman, Sung by a Man?!

I have done several pieces on women songwriters and women in the music industry. The series I just finished on Rock/Country covers started with a Cindy Walker tune, it gave me the thought to look at songs that were written by women, but for a man to sing. We certainly know men have written the vast majority of songs period. This also means historically the majority of songs women sing are written by men. Taylor Swifts and Joni Mitchells notwithstanding. Off the top of my head I could only think of a couple songs that may qualify, apart from the many written by Cindy Walker.

As if women songwriters were not rare enough, I’m going to have to disqualify male/female writing teams such as Gerry Goffin and Carole King, Nickolas Ashford and Valerie Simpson, Barry Mann and Cynthia Weil, Felice and Boudleaux Bryant, Ellie Greenwich and Jeff Barry and Marilyn and Alan Bergman, these are the names that are most well known to have written many songs together. They as a team of course wrote songs for men and women.

I did check and see if the women in these pairs wrote songs not only by themselves (which some did) but with the intention to be recorded by a male singer. Of the couples above I only found one name that I will reference later.

Hopefully this activity stays in the past but, women songwriters sometimes wrote/co-wrote songs and they were not given any credit. I have run across this several times, for example, perhaps it was a song not co-credited as some of Elsie Williams songs were with the publishing of Jimmie Rogers songs. Then, another likely scenario is, only the a mans name ended up on a song he did not write.

A practice that is almost as old as written music and includes both Male and Female singers, (typically big names or more likely their management) demanding an undeserved song writing/publishing credit. Tom Parker demanded such for Elvis and in one instance Dolly Parton told him to stuff it. A couple years ago a group of song writers openly asked for better treatment in this regard so apparently this activity still continues.

For one, on the case of “Killing Me Softly” I am on the side of Lori Lieberman. I believe her claim that she wrote down a poem on a napkin after hearing Don Mclean singing. She was at the time under a contract with Norm Gimbel and Charles Fox (both credited for the song) but was never given a songwriting credit. She has endured a lot of grief over her attempts to have her name added on the song. Don Mclean believes her but apparently the napkin disappeared and left her with no evidence. She doesn’t want a lawsuit. She worked with Gimbel and Fox and saw the song develop beyond her skill level, but the concept and some of the lyrics she says are her words. There is a good article in the Washington Post.

There are of course many songs that were written by women, but almost always for themselves or with and for other women, for the latter I’m thinking Toni Stern writing with Carole King for example. Lot’s of songs written about or to a man as we know. Again I am looking for songs written specially for a man to sing. Somewhat ironically in the traditionally male dominated Country genre is were I found most of my examples.

There may be some female penned songs that were covered by a man and perhaps became more well known. “That’s Enough” is a song Johnny Cash (1958) was the first to cover. It is a 1957 Gospel song written by Dorothy Love Coates and recorded by the all female group, The Original Gospel Harmonettes. So it was Cash that had the first cover and mainstream version.

Then we have Dolly Parton’s “In the Good Old Days (When Times were Bad) from 1969, which is the title track of her third album. It really is autobiographical but for some reason Merle Haggard was the first to record and released it. I don’t know the full story but she wrote the song with herself in mind. Something similar happened with the recording order of her song “Kentucky Gambler” in 1973. Odd things an happen with the record company.

Context

According to a study by the USC Annenberg Inclusion Initiative that was commissioned by Spotify, “over the past decade, women only make up 12.7% of songwriters”. In some years this was as low as 2.8%. This study looked at the Billboard Hot 100 from 2012 to 2022.

There are similar results when we look at the Hot 100 Country chart, for example in 2020, women had just 23% of the #1 songs (all of which they did not write) and this is the highest percentage in the Country genre since 1994.

Here is a quote from an article on Billboard.com “The USC Annenberg Inclusion Initiative study found that women were more likely to appear as songwriters on dance/electronic songs, with 20.5% of these songs written by women over ten years and Pop songs coming in with 19.1% and least likely to work on Hip-Hop/Rap, with women writing just 6.4% of these songs over ten years and R&B/Soul, with women writing 9.4% of these songs.”

If you do a little looking there are more stats and studies that show even more dismal results for women in all genre, so you can include Blues and Jazz as well, and again some references that show women in Pop music fair a bit better. I can tell you historically the numbers for women songwriters in general are worse the farther back in time you go.

There are lot’s of reasons as to why women are unrepresented; culture, bias, systemic issues, access and opportunity would all be at the top of the list I would guess. Ability is not one of them. I did a post on the Most Recorded Women Songwriters and there you will see Dorothy Fields at the top of the list. Dorothy, like another high on that list, Betty Comden, was a lyrist and to my knowledge they hold no solo song credits.

See below for some exceptional women songwriters with some examples of when they wrote for men. By no means is this an exhaustive list.

The Songwriters and the Songs

In an upcoming series I will post the names of the women* that I found to have written songs for men. Just a reminder I am looking at women who wrote the songs, words and music on their own. No that I avoided them but my research did not necessarily include looking at all genre from all decades, but these are the names that surfaced during my general search. Since I already gave it away I will give you one of those names today.

Cindy Walker

Cindy Walker is someone I have referenced several times in the past, and as noted above the inspiration for the post. It was “You Don’t Know Me” a song she wrote for Eddy Arnold used in the Between a Rock and a Country Place series that got me thinking. In addition to “You Don’t Know Me” she wrote some 60 or so songs for Bob Wills & His Texas Playboys, several songs for Jim Reeves, Ernest Tubb, Gene Autry and more. She of course did not write just for men. She had a lovely voice and recorded some covers and her own self written original songs.

Here is an excerpt from an article in the Austin Chronicle were she tells the story of how it all started for her.

No, let me tell you about that. My father was a cotton buyer, and we were in Tucson. We took a trip to Hollywood to sell some pima cotton, and I saw the Crosby Building. I said, “Stop, Papa, stop! I’ve got a song for Bing Crosby, and I want to see him!” And Pop said, “You’re squirrelly, girl. Bing Crosby’s not in that building!”

But I went in and saw Larry Crosby there. I told him I was a songwriter. I couldn’t play the piano and didn’t play guitar very well, so I ran downstairs and got Mama and made her play piano. He said, “Well, what are you gonna sing?” I said, “‘Lone Star Trail.'” He took me over to Paramount the next morning, and I sang it for Bing. His publisher liked it too, so that’s the way that happened!

Here is a excerpt of her talking about writing of “You Don’t Know Me”

She also wrote for Loretta Lynn and Sue Thompson but the truth is there were very few women Country Singers. As a full time writer, she was a lone figure in the male dominated Country Music space but she excelled, and was one of the best in the business. You will all recognize this next song.

Recorded by Roy Orbison in 1962 and written by Cindy Walker

I am pretty confident that no other women songwriter has written more songs specifically for male singers. In fact no one has ever come close and it’s unlikely that she will ever be matched in this regard. Cindy Walker was one of a kind.

* The genders in reference on these post reflect the known choices of the persons that I am writing about, my research did not include writers that may or may not have identified themselves differently.

Series Sources: Woman are rare in the Music Industry, Songwriters group…

The Top 10 Most Covered One Hit Wonders

The list.

I had the very good fortune to see Cohen perform on his last tour. In the ‘other’ London, Ontario, Canada.
  1. “Hallelujah” was written by Leonard Cohen and released as a single in 1984. There are over 540 versions of this song. It is his only song to have charted on these three major charts; Canada RPM, the Hot 100 in the US and the UK Top singles. In the first year of release it charted #17, but in Canada only. In 2016 there was a re-issue and it reached #36 in the UK and #59 in the US. This is the only time Cohen had a single on the Hot 100 in the US and the UK Singles chart. In Canada, he charted just two other songs and they were outside of the top 40, “Closing Time” reached #70 in 1992 and “You Want it Darker” hit #73 in 2016, the year of his death. I know we don’t think of Cohen as a One Hit Wonder because some of his albums charted highly and he did so well internationally. Not to mention there are thousands of versions of the 30 plus songs he wrote for other artists and 101 of his original songs. Several of those reached the charts. For example, in 2018 Jeff Buckley and The X Factor TV show winner Alexandra Burke charted in the UK with “Hallelujah”. Jennifer Warnes charted with “First We Take Manhattan”, both she and Aaron Neville charted with “Bird on the Wire”. As a ‘singles’ singer however, he’s not been a chart buster and this song fits the definition.
  2. MacArthur Park” by Richard Harris was released in 1968. There are 189 versions of this song. Written by the legendary Jimmy Webb (“By The Time I Get To Phoenix”). The song reached #1 in Canada, #2 in the US and #4 in the UK. Harris did record other songs and some appeared as minor hits but this would be his one moment in the sun, despite the fact that “someone left the cake out in the rain”.
  3. Feelings” was written by Morris Albert and released in 1974 and there are 184 versions of this song. It was based on “Pour toi” written by Louis Gasté with original lyrics by Albert Simonin and Marie-Hélène Bourquin. The song reached #4 in the UK and #6 in the US. He would have one other minor hit reach charts in some markets but don’t feel bad, I think he did alright with this one song.
  4. Money (That’s What I Want)” by Barrett Strong was released in 1959. There are 182 versions of this song written by Berry Gordy and Janie Bradford. The song reached #2 on the R&B Chart and #23 on the Hot 100. Strong would move to writing and this would be his one and only charted song. His contribution includes writing “I Heard It Through the Grapevine” and “Papa Was a Rollin’ Stone” with Norman Whitfield and so many more memorable hits. An impressive 48 of the songs he wrote have been covered, and publishing royalties means money, hey “That’s What I Want!”.
  5. Sea Cruise” was first released by Frankie Ford in December of 1958. In 1959 it reached #11 on the R&B chart and #14 on the Hot 100. There are 180 versions of this song. It was written by Huey “Piano” Smith (“Rockin’ Pneumonia and the Boogie Woogie Flu) and he recorded it in 1958 as well, in fact it was Frankie Fords voice but Smiths music on the single. We won’t get into the reasons for all this but Smith’s version was not released until 1971. Thus giving Ford the original launch of the song and his only major hit.
  6. Please Send Me Someone to Love” was written and released by Percy Mayfield in 1950. There are 172 versions of this song. It reached #1 on the R&B chart but perhaps more importantly (at the time) it was #26 on Hot 100, which comparably meant a lot more in record sales. That was his only Hot 100 hit song, thought he would chart five more songs in the R&B top 10 and three more in the top 100. I was a bit surprised to discover Mayfield qualitied for this one hit list. However Percy would have the last word for the Hot 100, “Hit the Road Jack“. He was the writer of the song taken to #1 by Ray Charles in 1961.
  7. Crying in the Chapel” by Darrell Glenn peaked at #9 in 1953 on the Billboard Weekly Singles Chart. There are 159 versions of this song, it was written by his father, Artie Glenn. While it was the only charted song for Darrell, the tune itself had covers by June Valli, Rex Allen, Sonny Til & The Orioles that all entered the top 20 at the same time, at least one version was on the chart for 46 weeks. Lee Lawrence hit #7 in the UK in November of 1953. Elvis was unhappy with his 1960 recording and it was not released until 1965 when it became a million seller. No weeping for Artie Glenn and his royalty cheques I am sure.
  8. Hi-Heel Sneakers” was written and recorded by Tommy Tucker in 1963. There are 156 versions of this song that reached #11 on Billboard in 1964. In 2022 there was a release from Tom Petty & The Heartbreakers on Live at the Fillmore in 1997.
  9. Just When I Needed You Most” was written and performed by Randy VanWarmer and it peaked at #4 on the Hot 100 in 1979. There are 91 versions of this song.
  10. Walking in Memphis” was written and recorded by Marc Cohn and released in 1991. There are 83 versions of this song. The song peaked at #13 on the Hot 100 and garnered Cohn a Grammy for Best New Artist.
  11. An honorable mention for the next most covered song “You Better Move On” that was written and recorded by Arthur Alexander in 196. It reached #24 on the Hot 100 in March of 1962. There are 58 versions of this song. The Rolling Stones would cover this in 1964. It was Alexander’s only top 40 hit. However, I have to point out that he was a very influential artist and proof positive that there is often more to the “one hit wonder” label. Alexander is the only individual who’s original songs have been covered by all four of these artists; Elvis (Burning Love) the only one he did not write as well, The Beatles (Anna Go to Him),(A Shot of Rhythm and Blues),(Soldier of Love), (Where Have You Been All My Life), Bob Dylan (Sally Sue Brown) and as already noted The Rolling Stones. Tina Turner, Pearl Jam and many more notable names have covered his songs. Paul McCartney said the R&B sound they were looking for “…that was basically it. Arthur Alexander”, high praise indeed for a one hit wonder.
Spinal Tap goes to 11. So hey, why can’t my list!

Happy One Hit Wonder Day!

Sources: 1, 2,3

National One Hit Wonder Day

September 25 in the US and adopted by anyone, anywhere, like Canada Eh!

As a music blogger this comes as close to an official holiday that I will get. I have decorated the album tree and we’ll be singing a rousing round of the sugar plum song, “You’re My Honey Bunch” and tunes by the great Father Wonder, Tony Burrows. Sent down the chimney by Tony’s mighty Kestrel, the kids will be very excited to unwrap their gifts of 45 rpm records by the likes of Buddy Knox, The Kalin Twins, Dodie Stevens and if we are lucky, some Edison Lighthouse!

I have written on this topic a couple times, but today I wanted to look at things from a different angle. Some of these “one and done” songs as they say, that appeared on the singles chart are actually pretty great songs. Many of the singers had, or would still go on to successful careers. They would make more music, release albums, they (with the rare exceptions like Tony Burrows) just wouldn’t have another hit single. To explain Tony Burrows, he was in several bands, such as Edison Lighthouse with songs that were one-hit wonders. His first band was named Kestrel, like the bird.

Some singers may have got out of the business altogether, some still dabble or like Tony, joined another group. Some can live off the success of that one song.

Definition

The origin is American. My understanding is that the concept was first defined by music journalist Wayne Jancik (The Billboard Book of One-Hit Wonders) as “an act that has won a position on The Billboard (Hot 100) Top 40 record chart just once”. Since that time others have chimed in and the definition has broadened somewhat.

Here is what I included as my criteria for the list of the most covered one hit wonders.

  1. The HOT 100 in the US began in 1958, but there were, as we know, many precursor charts including one called The Top 100. For my song search I set a more or less arbitrary start of 1950, but it should be noted that it was a significant year in the life of the ‘single’ as it was the first full year of the 45 rpm record.
  2. I will consider the singles chart in the UK and Canada as well (Top 40). The US has always been the largest record market, and these three are also the major Music charts for English speaking Countries . Apologies to Australia, that would be #4 on that list.
  3. In order to qualify for my list of one hit wonder covers, it must also have been an original song. As it is for any tune, it may or may not have been written by the singer.
  4. Cover song tallies also include instrumental renditions, but for todays totals I only counted the vocal versions. All due respect to Mr. Acker Bilk but for one-hit wonders, it’s the singing that counts.

To see which one wonder-ful hitters got re-recorded the most, check out the next post.